Subversive artist and photographer Lao Xie Xie squares off against Western society’s ideas of perfection in the media and art, instead finding allure in the challenge of discovering beauty in the less conventional and the imperfect. The artist, who believes that art is an act of freedom, uncovers beauty in imperfection, which he tells us requires a greater level of skill and yields higher artistic rewards. “For me, embracing imperfection is not just an artistic choice but a political act against the relentless pursuit of perfection dictated by society. It’s a moral stance, asserting that art should provoke thought and challenge norms rather than conform to them.”

Lao Xie Xie uses the gritty charm of analog photography to explore underlying themes of the transformative and rebellious spirit of Generation Y in Eastern culture. The artist’s distinguishable quasi-documentary style uses sexuality to question and redefine identities by pushing boundaries through his images. Though often placing sex and gender centrally in his lens, Lao’s images surpass mere voyeurism or eroticism. By capturing real bodies and celebrating their flaws and ordinary traits—some are too skinny, too short, and their private parts (which aren’t so private) are far from the exaggerated norms of porn—he demonstrates how imperfection in form and models can ignite the imagination, offering a depth of meaning absent in the slick surfaces of Western advertising, entertainment, and perfectionist art. It’s the rawness of Lao’s images that compels the viewer to actively engage with the work, forging a link between his art and our daily lives.

“For me, embracing imperfection is not just an artistic choice but a political act against the relentless pursuit of perfection dictated by society. It’s a moral stance, asserting that art should provoke thought and challenge norms rather than conform to them.”

How did you first get into photography as an artistic medium?

Lao: I first ventured into photography as an artistic medium when a friend gifted me a film camera, sparking my interest. Initially, I began by sharing my photos on Instagram. However, my journey truly began when I encountered challenges during the development process of my initial rolls, resulting in mostly blurry images. Encouraged by a friend, I transitioned to an autofocus camera and began paying closer attention to my composition and technique. Through this process, I gradually honed my unique style, allowing my personality to shine through in my work.

You’ve said that your work is attempting to counter the Western world’s obsession with glossy, photoshopped images, and present something raw and imperfect. What is it about imperfection that appeals to you as an artist?

Lao: The allure of imperfection in my work stems from a desire to challenge the Western world’s fixation on flawless, photoshopped imagery. Throughout history and across various cultures, notions of beauty have evolved, reflecting diverse perspectives. It’s fascinating to observe how globalization has imposed a homogenized standard of beauty, overshadowing unique cultural expressions.

I find it curious that society readily praises physical appearance but often struggles to acknowledge intellectual prowess. Similarly, while capturing or painting picturesque landscapes or bodies, our minds yield immediate aesthetic appeal to these things. I’m drawn to the challenge of finding beauty in the less conventional, the imperfect. This demands a higher level of skill and yields greater satisfaction as an artist. For me, embracing imperfection is not just an artistic choice but a political act against the relentless pursuit of perfection dictated by society. It’s a moral stance, asserting that art should provoke thought and challenge norms rather than conform to them.

How do you usually select your models and subjects?

Lao: I choose models on Instagram and for each of them I usually have a specific direction or theme to follow during the shoot.

What is your photography process like? Do you like to shoot analog or digital? If analog, could you tell us which camera you use and which film is your favorite to shoot with?

Lao: Photography, for me, is just a medium to express my ideas. I shoot analog simply because I don’t know how to shoot any other way. I use an Olympus camera, and the film depends on what I find in the shop, but I usually use Kodak 200.

On your website you mention a quote by Oscar Wilde: “The true mystery of the world is the visible, not the invisible.” What do you think he meant by this quote?

Lao: I guess he meant that sometimes we focus too much on things that are overly complicated when we can just care about the simple things to make our lives and ourselves more happy.

What was it like as a youth growing up in China?

Lao: I don’t know, but I guess it has some pros and cons like every youth’s personal
experience.

Who are some of your favorite artists?

Lao: Damien Hirst, Witting, Gligorov, Boetti.

How do you define art?

Lao: An act of freedom.

What’s your favorite place to hang out? 

Lao: My couch, I’m a super lazy ass.

What’s the biggest obstacle that you have ever overcome personally or
professionally?

Lao: I don’t come from a wealthy family, so supporting myself financially has always been a struggle to an extent.

Article written by: Marijana Jocic

Who do you want to see next?